Du bist nicht allein.
Aktuelles Anwender-Porträt: Peter Walsh
Referenzen: Heaven 17, Spandau Ballet, The Tubes, Stevie Wonder, Simple Minds, Peter Gabriel, Scott Walker, Najwa Nimri, Luisa Robbin ...
"I wouldn’t start a mix unless I had at least 4 channels of the Transient Designer available. Especially effective on drums and percussion, it is an incredibly useful tool when it comes to dynamic processing, both in the studio and live. Great in adding that extra bit of ‚front’ or attack to transients, often necessary to withstand brickwall type limiting. What’s really exciting about this unit is what it can do to the release of your signal."
"Lame sounding drums can be brought to life. A small room sound can be transformed into a huge, powerful ambience. When used as a form of gating, it is a fast and accurate way of shortening unwanted resonances. Similarly, it is great for ‘tightening up’ the low end of a mix, adding more attack and less release to bass guitars, etc.”
Anwender
Guy Davie, Electric Mastering: "I had one client who named the PQ the 'Love Box'. When he called to book his second session he asked: “You will have the Love Box there won’t you?” Lesen Sie das ganze Interview mit Guy Davie
Rob King, Green Street Studios: "Danke für einige wirklich großartige Produkte!"
Joe Chicarelli: "Der Transient Designer ist wirklich eines der einzigartigsten Geräte, die ein Mischer überhaupt haben kann."
Ralf Mayer: "SPL ist für mich eine der innovativsten Firmen der Audio-Neuzeit."
Wolfgang Stach: "Alles klingt von Beginn an so, wie ich es erwarte."
